1/8/2024 0 Comments Vibe cafe hilo hawaiiWe actually thought there were more and better plant based food options on the other side of the island in the foodie underdog that is Hilo. But it’s harder to find really good vegan food. To be frank, it’s not that hard to find vegan options in Kailua Kona. Most affecting is a segment on the late Uncle Johnny, whom fans will know from her rap at the end of Heated – “Uncle Johnny made my dress.” Uncle Johnny was a gay family friend who turned her on to house music, and he really did make her dresses, by hand, when she was starting out with Destiny’s Child (and no mainstream couturiers would deign to dress “curvy Black southern girls” as Beyoncé describes them).If you’re searching for the best vegan eats in Kona, Hawaii, read on. The parking lot where she once performed as a teenager is now the landing pad for her helicopter as she flies in to perform at the stadium next to it. There’s a return visit to her roots in Houston’s Third Ward. That’s the Knowles spirit, Beyoncé’s dad, Matthew, says. It was supposed to be a one-off appearance but, when Blue received negative comments on social media, she was determined to come back and do it again and again till she improved. There’s a section on how her eldest daughter Blue became a dancer in the show, for example. Photograph: Kevin Mazur/Getty Images for Parkwoodīut more intriguing are the moments when we see her off duty. She’s at pains to show us the sheer amount of work and personnel that go into such a huge undertaking – and how involved she is personally in every stage of the process.īeyoncé at Soldier Field in Chicago, Illinois on 22 July on the Renaissance World Tour. “I’m thankful I’m able to provide a safe space for y’all,” she tells the adoring, glammed-up crowds, to many of whom this appears closer to a religious experience than a mere gig.īut every few songs, the music pauses and Beyoncé (who directs and narrates the movie) takes us behind the curtain. The slick, sparkly party vibe is infectious and inclusive. The action constantly, seamlessly switches between different shows from her tour, as if to accentuate just how many costumes they made, and stylistic pointers include everything from Fritz Lang’s Metropolis to lunar vehicles to Botticelli’s Birth of Venus. Her Renaissance album, which forms the bulk of the show, pays homage to 80s queer culture – ballroom flamboyance, early house, voguing, giant disco balls.Īs such it’s filled with joyous bangers (she has a fair few from her back catalogue to pull in, too). On the level of sheer professionalism, it’s jaw dropping: the dancing, the graphics, the countless costumes, the props, the lighting – and grounding it all, Beyoncé’s still-flawless voice. It almost goes without saying that the concert itself is staggeringly accomplished. Photograph: Kevin Mazur/WireImage for Parkwood Beyoncé on the Renaissance World Tour at the Tottenham Hotspur stadium in London on 29 May.
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